Wolf Hall's Entirely Beloved: Episode 2
Apr. 16th, 2015 05:22 pmGreetings, Internet, and welcome to another episode of Metapiece Theatre. Our offering today is, a little bit late, Episode Two of Wolf Hall, entitled "Entirely Beloved."
As with "Three Card Trick," whose writeup you should definitely read before this one, the title of this episode is not a coincidence. The entire hour is a game of beloveds, as we set up the relationships whose ramifications will play out in the rest of the series.
Cromwell is beloved of Wolsey
Wolsey . . . Cromwell
Cromwell . . . Johane
(and then vice versa)
Gregory . . . Cromwell
Cromwell . . . Mary Boleyn
Jane . . . Cromwell
Primarily, though, the overarching Beloved of this episode is Cromwell, of the audience. We come to love him for how much he loves others, as well as some cheaper tricks thrown in for good measure.

Of course, to show the Beloveds in greater contrast, we must have the Unbeloveds:
Cromwell vs Henry
Henry vs Wolsey
Cromwell vs Anne
Cromwell vs More
Cromwell vs The Gentry
Cromwell vs Gardiner
Most of these relationships are set up for an evolution, either of sentiment or of power, over the course of this episode or several. And, as mentioned last week, to some extent the value judgment of a character is directly proportional to how beloved they are of Cromwell – those who aren't on his side (e.g. Norfolk) are made out to be baddies, and those who are, are painted in varying shades of gold.
Such energy is put into garnering our sympathy that an alternate title for the episode might be "Laying it On With a Trowel." It's done subtly and organically, but when you start noticing the agenda, each of these moments begins to stand out. Continuing the legal analogy from last week, you can almost year Cromwell telling his take on things with a 'Yeronner...' Doth he protest too much, mayhap?
( Let us go then, you and I, where the spoilers spread out against the sky, and pick apart 'Entirely Beloved' )
Episode 3: Anna Regina
As with "Three Card Trick," whose writeup you should definitely read before this one, the title of this episode is not a coincidence. The entire hour is a game of beloveds, as we set up the relationships whose ramifications will play out in the rest of the series.
Wolsey . . . Cromwell
Cromwell . . . Johane
(and then vice versa)
Gregory . . . Cromwell
Cromwell . . . Mary Boleyn
Jane . . . Cromwell
Primarily, though, the overarching Beloved of this episode is Cromwell, of the audience. We come to love him for how much he loves others, as well as some cheaper tricks thrown in for good measure.

Of course, to show the Beloveds in greater contrast, we must have the Unbeloveds:
Henry vs Wolsey
Cromwell vs Anne
Cromwell vs More
Cromwell vs The Gentry
Cromwell vs Gardiner
Most of these relationships are set up for an evolution, either of sentiment or of power, over the course of this episode or several. And, as mentioned last week, to some extent the value judgment of a character is directly proportional to how beloved they are of Cromwell – those who aren't on his side (e.g. Norfolk) are made out to be baddies, and those who are, are painted in varying shades of gold.
Such energy is put into garnering our sympathy that an alternate title for the episode might be "Laying it On With a Trowel." It's done subtly and organically, but when you start noticing the agenda, each of these moments begins to stand out. Continuing the legal analogy from last week, you can almost year Cromwell telling his take on things with a 'Yeronner...' Doth he protest too much, mayhap?
( Let us go then, you and I, where the spoilers spread out against the sky, and pick apart 'Entirely Beloved' )