We Have Reached the End of Cake.
Mar. 26th, 2008 07:28 pmNight Watch, Part 5
That's all, nothing more to see here, folks, get along home...
Unless you're a radio play director (or Jim Dale), in which case ...
When you go to Radio Director Academy, do they train you out of remembering how people talk? I'm talking specifically about repetition. If someone says, annoyed, 'he wants a small brandy,' it is understandable to emphasize the word 'brandy' because that is the focus of the sentence. But if this person says, a few minutes later, 'Now he wants a large brandy,' the focus is no longer on 'brandy' but on what makes it different from the previous sentence, i.e. 'large.' Does anyone -- ANYONE -- actually say he wants a small brandy/now he wants a large BRANDY? No! That doesn't make any sense! They say he wants a small brandy/now he wants a LARGE brandy!'
Also, just because a character repeats a phrase doesn't mean it has to be said differently the second time. Sometimes people repeat themselves just to drive the point home; they might repeat it a little louder but I'm willing to bet that more than half the time they do not change the inflection pattern or interpretation of the sentence for the sake of variety.
Finally, and this is a personal thing, why not use your fancy dancy sound mixing board to do things to the vocal track when you need to? Like, say, make Young Vetinari sound young, or make Detritus sound like a troll ... or make Death sound slightly more like a supernatural anthropomorphic personification and less like an old man? Man, I would love to have access to a filter that changes tone colour; none of the freeware sound editing programs I've used have that. You've got it and don't use it! Gnarr!
In short, everybody be a little bit more like Dirk Maggs, please.
I wonder how directly descended from Carcer Moist is. Charming criminal who can smile his way out of anything? You just have to make him not a murdering psychopath and you're on your way to a great character. Hmmm...
That's all, nothing more to see here, folks, get along home...
Unless you're a radio play director (or Jim Dale), in which case ...
When you go to Radio Director Academy, do they train you out of remembering how people talk? I'm talking specifically about repetition. If someone says, annoyed, 'he wants a small brandy,' it is understandable to emphasize the word 'brandy' because that is the focus of the sentence. But if this person says, a few minutes later, 'Now he wants a large brandy,' the focus is no longer on 'brandy' but on what makes it different from the previous sentence, i.e. 'large.' Does anyone -- ANYONE -- actually say he wants a small brandy/now he wants a large BRANDY? No! That doesn't make any sense! They say he wants a small brandy/now he wants a LARGE brandy!'
Also, just because a character repeats a phrase doesn't mean it has to be said differently the second time. Sometimes people repeat themselves just to drive the point home; they might repeat it a little louder but I'm willing to bet that more than half the time they do not change the inflection pattern or interpretation of the sentence for the sake of variety.
Finally, and this is a personal thing, why not use your fancy dancy sound mixing board to do things to the vocal track when you need to? Like, say, make Young Vetinari sound young, or make Detritus sound like a troll ... or make Death sound slightly more like a supernatural anthropomorphic personification and less like an old man? Man, I would love to have access to a filter that changes tone colour; none of the freeware sound editing programs I've used have that. You've got it and don't use it! Gnarr!
In short, everybody be a little bit more like Dirk Maggs, please.
I wonder how directly descended from Carcer Moist is. Charming criminal who can smile his way out of anything? You just have to make him not a murdering psychopath and you're on your way to a great character. Hmmm...
no subject
Date: 2008-03-27 07:04 pm (UTC)