tealin: (Default)
[personal profile] tealin
I drew with a tablet. I don't know how those tablet people do it. Colouring's OK, but lines?



Eponine and Cosette. I think I'm stealing Eponine from someone else I've drawn but I don't remember who.




Hmm. I think I like the tablet ones better; for all their grobbliness, they've got more soul. And Cosette looks like my mental image of Sophie from the O'Brian books. Sorta.

And now for something completely different:

[livejournal.com profile] tulanoodle drew "Emo Snape," which I thought was a fabulous idea, and drew this before I saw her drawing (which she told me about over the phone):

Quick, someone get him a latte Withe a 1,000 Elephants!

Well, my brain knows a good pun when it sees one (and bad ones too, more often than not) so it immediately progressed to:

EMU SNAPE!


The credit is all hers.

Oh, I am so very clever. How I do kill myself. Har har har.

Date: 2005-08-13 05:50 pm (UTC)
From: [identity profile] veronikamg.livejournal.com
I've never seen Les Mis in one piece, I've seen the first half of a French production that was supposed to hold very true to the book and the last half of the musical, and I find they don't really match up. In the French production Eponine was quite nasty and cruel, and also very pretty. In the musical she was that little sad girl with her duffle coat and sixpence hat. How does that happen?

Date: 2005-08-14 12:18 am (UTC)
From: [identity profile] twirlynoodle.livejournal.com
Well, if she weren't a sympathetic character, no one would feel bad when she died, see? It's all about manipulating the audience's emotions... that's what storytelling is about. If you don't like the characters, you don't care what happens to them. This is why I don't like listening to the American cast of Sunset Boulevard and absolutely cannot stand Aspects of Love.

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